Sonic Acts XIV
Multichannel generative sound installation at Sonic Acts, Amsterdam, The Netherlands. 23 February – 15 April 2012.
http://www.sonicacts.com
Composing with Process 5.1: Duration
The fifth episode in the series continues to explore the idea of time in music practice, particularly in relation to duration. The show looks at how music is measured in terms of both micro and macroscopic intervals: through granular synthesis, where sound is constructed from microscopic sonic 'grains', to extended works whose duration is measured not in minutes and seconds, but years. Bringing together ideas and theories of the engineer Denis Gabor and composers Iannis Xenakis and Curtis Roads, this episode examines early tape and computer music works using granular and pulsar synthesis. The show closes with a focus on two recent treatments of time in music: by the German artist Hanne Darboven and media producer Terre Thaemlitz. Written and produced by Mark Fell and Joe Gilmore.
http://rwm.macba.cat/en/research/composingwithprocess_5_mark_fell_joe_gilmore/capsula
MK Gallery
Live 8 channel performance at MK Gallery with Adam Asnan / Vasco Alves / Louie Rice, Cheapmachines, Lee Gamble and John Wall. MK Gallery, Milton Keynes, 24 November 2011.
http://www.mkgallery.org
http://www.entracte.co.uk
Composing with Process 4.2: Exclusives
Episode 4.2 of Composing with Process: Perspectives on Generative and Systems Music for Radio Web MACBA is now online. The episode features an exclusive version of 'A Harmonic Algorithm' by American composer Laurie Spiegel and an excerpt from the soundtrack of a theatre play by producer Terre Thaemlitz.
http://rwm.macba.cat/en/composingwithprocess_tag
Composing with Process 4.1: Time
The fourth episode in this series introduces the idea of time and its relationship to musical practices and features music by Catherine Christer Hennix, Laurie Spiegel, Iannis Xenakis, Györgi Ligeti and Pierre Schaeffer. Written and produced by Mark Fell and Joe Gilmore.
http://rwm.macba.cat/en/research/composingwithprocess_4_mark_fell_joe_gilmore/capsula
Online Release: Object Permanence, Amodal Completion
Reductive Music publishes a binaural recording of Object Permanence, Amodal Completion, a 4 channel sound installation from 2008. Recorded by Phill Harding.
http://www.reductivemusic.com
Mix for Entr'acte
http://www.entracte.co.uk/mixes/
Rara Avis
Multi-channel installation featuring synthesised bird sounds by Oswald Berthold, Chris Brown, Anders Dahl, Joe Gilmore, Fredrik Olofsson, Tim Perkis, Roc Jiménez de Cisneros, Peter Worth. CosmoCaixa, Barcelona, 16 — 19 June.
Composing with Process 3.2: Exclusives
Episode 3.2 of Composing with Process: Perspectives on Generative and Systems Music for Radio Web MACBA is now online. The episode features exclusive music by Japanese artist Yasunao Tone and French composer Christophe Charles.
http://rwm.macba.cat/en/research?id_capsula=848
Active Crossover
Live 8-channel performance at Active Crossover, Armley Mills Industrial Museum, Canal Road, Armley, Leeds, LS12 2QF. 1 July 2011. With Mark Fell, Richard Ormrod and Simon Wetham.
http://www.activecrossover.co.uk
Interview for SON[I]A
Radio Web Macba talks to Mark Fell and Joe Gilmore about minimalism, complexity, abstraction and the processes and concepts behind their audiovisual works.
http://rwm.macba.cat/en/sonia/mark_fell_joe_gilmore/capsula
Composing with Process 3.1: Determinacy and Indeterminacy
The 3rd episode of Composing with Process: Perspectives on Generative and Systems Music for Radio Web MACBA is now online. The episode examines the use of determinacy and indeterminacy in music and features music by John Cage, Iannis Xenakis, Lejaren Hiller, Florian Hecker and Farmers Manual.
http://rwm.macba.cat/en/research?id_capsula=827
Computer Music for Eight Speakers
Live 8 ch. performance at The Woodmill with performances from Mark Fell and Joe Gilmore and multichannel playback presentation of material from Martin Neukom's Studie 18. 5 March 2011 at The Woodmill, Neckinger Depot, Neckinger, London SE16 3QN.
http://www.woodmill.org/events.html
Instruction Cycle
Two channel sound installation at Intersections, 4 — 20 February 2011 at Vanishing Point, 565 King Street, Newtown, Sydney, Australia. → InstructionCycle
JG | 86.170.2.37